🎙️New on the Back Row podcast: John Galliano’s biographer Dana Thomas joined me on the pod once more to discuss the Met’s abrupt cancellation of the designer’s 2027 retrospective. The episode is available in full to Premium subscribers in Apple Podcasts and Spotify.
Premium subscribers can access paywalled podcasts through Supporting Cast. Enter the email address affiliated with your subscription, and you’ll receive a link to set up a feed to access paid episodes.
Loose Threads
The cancellation of the John Galliano exhibition has resulted in renewed calls for Anna Wintour to retire or, at the least, relinquish her position as a Met Museum trustee. (More on that ahead, behind today’s paywall.)
Fashion historian Kimberly Chrisman-Campbell offers a suggestion in The Atlantic as to how the Met could have avoided all of this: don’t do shows on living designers. “Museums, of course, regularly exhibit works by artists with unsavory pasts—but, crucially, those artists are usually dead,” she wrote. “They can no longer personally profit or walk the red carpet on opening night.”
Congrats to Chantal Fernandez, who is leaving her role as fashion features writer at The Cut to become a style columnist for the Wall Street Journal. Chantal publishes some of my favorite fashion stories, like this investigation into Very Important Clients and her terrific reporting on the Costume Institute in 2024, when it (wisely!) canceled the John Galliano show.
I spent the morning with Vivian Jenna Wilson, who is the new face of Desigual. The brand’s new campaign featuring Wilson and an anonymous robot (which, she said at today’s press event, was actually a human being in costume) is fantastic.

Elie Saab, maker of five-figure couture gowns, is H&M’s next designer collab. Prices range from $40 for a necklace to $429 for a leather jacket.
Ahead, today’s big story…
The Met’s Anna Problem
The Met Gala is the ultimate display of who Anna Wintour thinks is “in” or “out.” One group is more out than it would like to be: the Met’s nearly 100-person board, only a handful of whom tend to get to go each year.
“She doesn’t want them at her party,” said a source. “They don’t pass the Anna litmus test of glamour, having the right friends.”

Anna Wintour at the US Open on August 31, just after the Galliano exhibition was canceled. (Photo: Jean Catuffe/GC Images)
But above all, not inviting more board members is one of Anna’s signature power moves.
This week, it’s hard not to wonder…
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